explore the virtual tour “The photograph offers a kind of unexpected intimacy.” — Katy Grannan Katy Grannan, Dale and Frankie (2007); archival pigment print on cotton rag paper in artist’s frame; framed: 25 7/8 x 21 7/8 x 2 in. (65.7 x 55.6 x 5.1 cm)Katy Grannan, Gail and Richard, (Together One Year), Baker Beach (2006); archival pigment print on cotton rag paper in artist’s frame; framed: 42 1/2 x 52 3/8 x 2 in. (108 x 133 x 5.1 cm)Katy Grannan, Gail and Dale, Pacifica (I) (2007); archival pigment print on cotton rag paper in artist’s frame; framed: 42 3/4 x 52 3/4 x 2 in. (108.6 x 134 x 5.1 cm)Katy Grannan, Dale, Ocean Beach (I) (2006); archival pigment print on cotton rag paper in artist’s frame; framed: 42 1/2 x 52 3/8 x 2 in. (108 x 133 x 51 cm)Katy Grannan, Gail and Dale, Ocean Beach (2007); archival pigment print on cotton rag paper in artist’s frame; framed: 42 3/4 x 52 3/4 x 2 in. (108.6 x 134 x 5.1 cm)Katy Grannan, Gail and Dale (Best Friends), Point Lobos (2006); archival pigment print on cotton rag paper in artist’s frame; framed: 42 1/2 x 52 3/8 x 2 in. (108 x 133 x 5.1 cm) Katy Grannan, Gail (Dancing), Dolores Street (2006); archival pigment print on cotton rag paper in artist’s frame; framed, ea: 15 x 12 1/2 x 1 1/2 in. (38.1 x 31.8 x 3.8 cm) Katy Grannan, Dale, Southampton Avenue (III) (2007); archival pigment print on cotton rag paper in artist’s frame; framed: 42 1/2 x 52 3/8 x 2 in. (108 x 133 x 5.1 cm)Katy Grannan, Dale, Lombard Street (I) (2006); archival pigment print on cotton rag paper in artist’s frame; framed: 52 3/8 x 42 1/2 x 2 in. (133 x 108 x 5.1 cm)Katy Grannan, Dale, Pacifica (II), 2006 (2006); archival pigment print on cotton rag paper in artist’s frame; 40 x 50 in. (101.6 x 127 x 5.1 cm)Katy Grannan, Gail, Pacifica (IV) (2007); archival pigment print on cotton rag paper in artist’s frame; framed: 53 x 43 x 2 in. (134.6 x 109.2 x 5.1 cm)Katy Grannan, Dale, Pacifica (II) (2007); archival pigment print on cotton rag paper in artist’s frame; framed: 42 3/4 x 52 3/4 x 2 in. (108.6 x 134 x 5.1 cm) Katy Grannan, Anonymous, Oakland, CA 2012 (2012); archival pigment print on cotton rag paper mounted to Plexiglas, in artist’s frame; framed: 58 3/4 x 44 3/4 x 2 in. (149.2 x 113.7 x 5.1 cm) Katy Grannan, Anonymous, Modesto, CA 2013 (2013); archival pigment print on cotton rag paper mounted to Plexiglas, in artist’s frame; framed: 58 3/4 x 44 3/4 x 2 in. (149.2 x 113.7 x 5.1 cm) Katy Grannan, Anonymous, Modesto, CA 2013 (2013); archival pigment print on cotton rag paper mounted to Plexiglas, in artist’s frame; framed: 58 3/4 x 44 3/4 x 2 in. (149.2 x 113.7 x 5.1 cm) Katy Grannan, Anonymous, Modesto, CA 2012 (2012); archival pigment print on cotton rag paper mounted to Plexiglas, in artist’s frame; framed: 58 3/4 x 44 3/4 x 2 in. (149.2 x 113.7 x 5.1 cm) Katy Grannan, Anonymous, Modesto, CA 2013 (2013); archival pigment print on cotton rag paper mounted to Plexiglas, in artist’s frame; framed: 58 3/4 x 44 3/4 x 2 in. (149.2 x 113.7 x 5.1 cm) Katy Grannan, Anonymous, Bakersfield, CA 2012 (2012); archival pigment print on cotton rag paper mounted to Plexiglas, in artist’s frame; framed: 58 3/4 x 44 3/4 x 2 in. (149.2 x 113.7 x 5.1 cm) “It’s important that the photograph describes a particular subject, but it also has to speak to something much larger, so that the viewer has the sense of a shared history; they’re portraits of all of us.” — Katy Grannan Katy Grannan, Anonymous, Bakersfield, CA 2011 (2011); archival pigment print on cotton rag paper mounted to Plexiglas, in artist’s frame; framed: 58 3/4 x 44 3/4 x 2 in. (149.2 x 113.7 x 5.1 cm) Katy Grannan, Anonymous, Bakersfield, CA 2011 (2011); archival pigment print on cotton rag paper mounted to Plexiglas, in artist’s frame; framed: 58 3/4 x 44 1/2 x 2 in. (149.2 x 113. x 5.1 cm) Katy Grannan, Anonymous, Fresno, CA 2011 (2011); archival pigment print on cotton rag paper mounted to Plexiglas, in artist’s frame; framed: 58 3/4 x 44 3/4 x 2 in. (149.2 x 113.7 x 5.1 cm)Katy Grannan, Anonymous, Modesto, CA 2013 (2013); archival pigment print on cotton rag paper mounted to Plexiglas, in artist’s frame; framed: 58 3/4 x 44 3/4 x 2 in. (149.2 x 113.7 x 5.1 cm) Katy Grannan, Anonymous, Modesto, CA 2012 (2012); archival pigment print on cotton rag paper mounted to Plexiglas, in artist’s frame; framed: 58 3/4 x 44 3/4 x 2 in. (149.2 x 113.7 x 5.1 cm) Katy Grannan, Anonymous, Modesto, CA 2012 (2012); archival pigment print on cotton rag paper mounted to Plexiglas, in artist’s frame; framed: 58 3/4 x 44 3/4 x 2 in. (framed: 149.2 x 113.7 x 5.1 cm) Katy Grannan, Anonymous, Modesto, CA 2012 (2012); archival pigment print on cotton rag paper mounted to Plexiglas, in artist’s frame; framed: 58 3/4 x 44 3/4 x 2 in. (149.2 x 113.7 x 5.1 cm) Katy Grannan, Anonymous, Modesto, CA 2012 (2012); archival pigment print on cotton rag paper mounted to Plexiglas, in artist’s frame; framed: 58 3/4 x 44 3/4 x 2 in. (149.2 x 113.7 x 5.1 cm) Katy Grannan, Anonymous, Modesto, CA 2012 (2012); archival pigment print on cotton rag paper mounted to Plexiglas, in artist’s frame; framed: 58 3/4 x 44 3/4 x 2 in. (149.2 x 113.7 x 5.1 cm) Katy Grannan, Anonymous, Oakland, CA 2012 (2012); archival pigment print on cotton rag paper mounted to Plexiglas, in artist’s frame; framed: 58 3/4 x 44 3/4 x 2 in. (149.2 x 113.7 x 5.1 cm) Katy Grannan, Anonymous, Modesto, CA 2012 (2012); archival pigment print on cotton rag paper mounted to Plexiglas, in artist’s frame; framed: 58 3/4 x 44 3/4 x 2 in. (149.2 x 113.7 x 5.1 cm) Katy Grannan, Anonymous, Modesto, CA 2012 (2012); archival pigment print on cotton rag paper mounted to Plexiglas, in artist’s frame; framed: 58 3/4 x 44 3/4 x 2 in. (149.2 x 113.7 x 5.1 cm) Katy Grannan, Anonymous, Modesto, CA 2014 (2014); archival pigment print on cotton rag paper mounted to Plexiglas, in artist’s frame; framed: 58 3/4 x 44 3/4 x 2 in. (149.2 x 113.7 x 5.1 cm) Katy Grannan, Anonymous, Bakersfield, CA 2011 (2011); archival pigment print on cotton rag paper mounted to Plexiglas, in artist’s frame; framed: 58 3/4 x 44 3/4 x 2 in. (149.2 x 113.7 x 5.1 cm) Katy Grannan, Anonymous, Bakersfield, CA 2012 (2012); archival pigment print on cotton rag paper mounted to Plexiglas, in artist’s frame; framed: 58 3/4 x 44 3/4 x 2 in. (149.2 x 113.7 x 5.1 cm) Katy Grannan, Anonymous, Fresno, CA 2011 (2011); archival pigment print on cotton rag paper mounted to Plexiglas, in artist’s frame; framed: 58 3/4 x 44 3/4 x 2 in. (149.2 x 113.7 x 5.1 cm) Katy Grannan, Anonymous, Oakland, CA 2012 (2012); archival pigment print on cotton rag paper mounted to Plexiglas, in artist’s frame; framed: 58 3/4 x 44 3/4 x 2 in. (149.2 x 113.7 x 5.1 cm) Katy Grannan, Anonymous, Modesto, CA 2014 (2014); archival pigment print on cotton rag paper mounted to Plexiglas, in artist’s frame; framed: 58 3/4 x 44 3/4 x 2 in. (149.2 x 113.7 x 5.1 cm) Katy Grannan, Anonymous, Modesto, CA 2013 (2013); archival pigment print on cotton rag paper mounted to Plexiglas, in artist’s frame; framed: 58 3/4 x 44 3/4 x 2 in. (149.2 x 113.7 x 5.1 cm) “I wanted to remove them from context almost like an abstraction. You didn’t need to know where they lived—it wasn’t about that—it was really all about the person.” — Katy Grannan Katy Grannan, Anonymous, Fresno, CA 2011 (2011); archival pigment print on cotton rag paper mounted to Plexiglas, in artist’s frame; framed: 58 3/4 x 44 3/4 x 2 in. (149.2 x 113.7 x 5.1 cm) Katy Grannan, Anonymous, Modesto, CA 2011 (2011); archival pigment print on cotton rag paper mounted to Plexiglas, in artist’s frame; framed: 58 3/4 x 44 3/4 x 2 in. (149.2 x 113.7 x 5.1 cm) Katy Grannan, Anonymous, Modesto, CA 2012 (2012); archival pigment print on cotton rag paper mounted to Plexiglas, in artist’s frame; framed: 58 3/4 x 44 3/4 x 2 in. (149.2 x 113.7 x 5.1 cm) Katy Grannan, Anonymous, Modesto, CA 2012 (2012); archival pigment print on cotton rag paper mounted to Plexiglas, in artist’s frame; framed: 58 3/4 x 44 3/4 x 2 in. (149.2 x 113.7 x 5.1 cm) Katy Grannan, Anonymous, Modesto, CA 2012 (2012); archival pigment print on cotton rag paper mounted to Plexiglas, in artist’s frame; framed: 58 3/4 x 44 3/4 x 2 in. (149.2 x 113.7 x 5.1 cm) Katy Grannan, Anonymous, Oakland, CA 2011 (2011); archival pigment print on cotton rag paper mounted to Plexiglas, in artist’s frame; framed: 58 3/4 x 44 3/4 x 2 in. (149.2 x 113.7 x 5.1 cm) Katy Grannan, Anonymous, Modesto, CA 2012 (2012); archival pigment print on cotton rag paper mounted to Plexiglas, in artist’s frame; framed: 58 3/4 x 44 3/4 x 2 in. (149.2 x 113.7 x 5.1 cm) Katy Grannan, Anonymous, Bakersfield, CA 2011 (2011); archival pigment print on cotton rag paper mounted to Plexiglas, in artist’s frame; framed: 58 3/4 x 44 3/4 x 2 in. (149.2 x 113.7 x 5.1 cm) “…that work was kind of scary and shocking to me when I first spread it out to look at it… I remember thinking, I have either got to burn all the negatives and shoot myself, or go down to LA and try and get it published.” — Larry Clark Larry Clark, Tulsa (1980) 50 hand printed gelatin silver prints framed, ea: 16 5/8 x 12 1/4 x 1 3/8 in. (42.2 x 31.1 x 3.5 cm) “…the damaged works make a statement in and of themselves. It’s a different statement than the original intent of the work, but now the work has been transformed and politicized.” — Andres Serrano In 2007 during Serrano’s solo exhibition at Kulturen in Lund, Sweden, these photos were attacked with axes and crowbars by vandals believed to be part of a neo-Nazi group. Andres Serrano, Auto-Erotic (A History of Sex) (1996 [vandalised 2007]); cibachrome print face-mounted to Plexiglas, red masking tape, in artist’s frame; framed: 65 x 54 5/8 x 1 1/4 in. (165.1 x 138.7 x 3.1 cm) Andres Serrano, Roberts and Luca (A History of Sex) (1995 [vandalised 2007]); cibachrome print face-mounted to Plexiglas, red masking tape, in artist’s frame; framed: 65 x 54 5/8 x 1 1/4 in. (165.1 x 138.7 x 3.1 cm) Andres Serrano, The Fisting (A History of Sex) (1996 [vandalised 2007]); cibachrome print face-mounted to Plexiglas, red masking tape, in artist’s frame; framed: 65 1/8 x 54 5/8 x 0 3/4 in. (165.4 x 138.7 x 1.9 cm) Andres Serrano, Susanne (A History of Sex) (1996 [vandalised 2007]); cibachrome print face-mounted to Plexiglas, red masking tape, in artist’s frame; framed: 65 x 54 5/8 x 1 1/4 in. (165.1 x 138.7 x 3.1 cm) Andres Serrano, Master of Pain (A History of Sex) (1996 [vandalised 2007]); cibachrome print face-mounted to Plexiglas, red masking tape, in artist’s frame; framed: 65 x 54 5/8 x 1 1/4 in. (165.1 x 138.7 x 3.1 cm) “The best artistic intentions are usually cloaked in mysteries and contradictions. It wouldn’t be interesting for me if the art were not “loaded” in some way.” — Andres Serrano In a 2011 group exhibition at Collection Lambert in Avignon, France, vandals smashed through an additional layer of protective plexiglass screen with a hammer and slashed Piss Christ (Immersions) photo with another sharp object. Andres Serrano, Piss Christ (Immersions) (1987) [vandalised 2011]; cibachrome print face-mounted to Plexiglas, in artist’s frame; framed: 65 7/8 x 45 1/8 in. (167.3 x 114.6 cm) Andres Serrano, Black Supper (Immersions) (1990); cibachrome print face-mounted to Plexiglas, in artist’s frame, in 5 parts; framed, ea: 65 3/16 x 45 1/8 x 1 1/16 in. (165.5 x 114.6 x 2.7 cm) “I wouldn’t get in bed with the devil, but I would certainly take the devil’s picture if he let me.”— Andres Serrano “I feel an affinity with many religious artists of the past. You have to see my work in that context. At the same time, I’m a contemporary artist. Contemporary artists often use unorthodox materials and ideas in their work.” — Andres Serrano Andres Serrano, Grand Dragon of the Invisible Empire (The Klan) (1990); cibachrome print face-mounted to Plexiglas, in artist’s frame; framed: 65 1/8 x 54 5/8 x 2 1/8 in. (165.4 x 138.7 x 5.4 cm) Andres Serrano, Imperial Wizard (The Klan) (1990); cibachrome print face-mounted to Plexiglas, in artist’s frame; framed: 65 x 55 x 1 7/8 in. (165.1 x 139.7 x 4.7 cm) Andres Serrano, Donald Trump (America) (2004); archival pigment print back-mounted on dibond, in artist’s frame; framed: 65 1/8 x 54 5/8 x 2 1/8 in. (165.4 x 138.7 x 5.4 cm) Andres Serrano, Jeffrey Epstein (Infamous) (2019); archival pigment print back-mounted on dibond, in artist’s frame; framed: 63 x 52 1/2 x 2 in. (160 x 133.3 x 5.1 cm) Andres Serrano, Piss Pope, Part I and II (Immersions) (1988); cibachrome print face-mounted to Plexiglas, in artist’s frame, in 2 parts; framed: 65 x 94 in. (165.1 x 238.7 cm) Andres Serrano, Blood Cross (Bodily Fluids) (1985); cibachrome print face-mounted to Plexiglas, in artist’s frame; framed: 45 1/16 x 65 1/16 x 0 3/4 in. (114.4 x 165.2 x 1.9 cm) Andres Serrano, Precious Blood (Bodily Fluids) (1989); cibachrome print face-mounted to Plexiglas, in artist’s frame; framed: 65 x 44 x 1 in. (165.1 x 111.7 x 2.5 cm) “It was a spiritual quest… I always felt they were alive in some way. There was a soul to each individual.” — Andres Serrano “But if I were to ask, ‘What have we learned about torture?’… I’d have to say we haven’t learned anything at all.” — Andres Serrano Andres Serrano, Knifed to Death I and II (The Morgue) (1992); cibachrome print face-mounted to Plexiglas, in artist’s frame, in 2 parts; framed, ea: 37 1/2 x 45 1/8 x 1 5/8 in. (ea: 95.2 x 114.6 x 4.1 cm) Andres Serrano, Bloody Gloves (Torture) (2015); archival pigment print back-mounted on dibond, in artist’s frame; framed: 65 x 50 x 2 in. (165.1 x 127 x 5.1 cm) Andres Serrano, Fatal Meningitis (The Morgue) (1992); cibachrome print face-mounted to Plexiglas, in artist’s frame; framed: 54 5/8 x 65 1/8 x 1 7/8 in. (138.7 x 165.4 x 4.7 cm) Andres Serrano, Untitled XIV (Torture) (2015); archival pigment print back-mounted on dibond, in artist’s frame; framed: 65 x 55 x 2 1/2 in. (165.1 x 139.7 x 6.3 cm) Andres Serrano, Broken Bottle Murder II (The Morgue) (1992); cibachrome print face-mounted to Plexiglas, in artist’s frame; framed: 54 5/8 x 65 1/8 x 1 7/8 in. (138.7 x 165.4 x 4.7 cm) Andres Serrano, Gun Murder (The Morgue) (1992); cibachrome print face-mounted to Plexiglas, in artist’s frame; framed: 54 5/8 x 65 1/8 x 2 1/8 in. (138.7 x 165.4 x 5.4 cm) “The circumstances of making my photographs are, in a way, almost more important than the pictures themselves.”— Katy Grannan Katy Grannan, Barack Obama (2016/printed 2017); archival pigment print in artist’s frame; framed: 58 3/4 x 44 3/8 x 2 in. (149.2 x 112.7 x 5.1 cm)Katy Grannan, We The People, Newburgh, NY (2020); archival pigment print on cotton rag paper in artist’s frame; Framed: 43 3/4 x 30 1/2 x 2 in. (111.1 x 77.4 x 5.1 cm) explore the virtual tour