Robert Beck | Robert Buck

Robert Buck
The Shrine (from e to u) (2000/2012)
flowers, candles, stuffed animals, balloons, thrift store artifacts, etc.
dimensions variable
Edition 1 or 3

  • Robert Beck,
    Untitled (Clean) (2004)
    mixed media on stainless steel,
    57 3/4 x 65 3/4 x 3/4 in (146.7 x 167 x 1.9 cm)
  • Robert Beck,
    A Part From the Whole (Communion) (2005)
    11 chromogenic prints, wood, matte board,
    76 x 60 1/2 x 2 3/4 in (193 x 153.7 x 7 cm)
    Edition 3 of 6
  • Robert Beck,
    Brick and Bracket (“Kill Grandma for Me” by Jim DeFilice) (2006)
    steel, hydrocal, polymer ink,
    44 x 27 1/4 x 5 1/2 in (111.8 x 69.2 x 14 cm),
    Edition 1 of 3
  • Robert Beck,
    Untitled (Daly Over/Under @ Close Range w/ .12 “Punkin” Ball Slug) (Entrance and Exit) (1999)
    gunpowder and sketchpads in two parts,
    27 3/8 x 21 1/4 x 4 3/8 in (69.5 x 54 x 11.1 cm)
  • Robert Buck,
    Second Hand (Jeffrey Hoffeld) (2010)
    oil paint and india ink on found painting,
    (oil on canvas on board),
    11 3/4 x 14 3/4 in (29.8 x 37.5 cm)

  • Robert Beck,
    Two-Pin Toggle (“The Modern Man’s Guide to Life” by Denise Boyles, Alan Rose, Alan Wellikoff”) (2001)
    compressed charcoal on de-acidified paper,
    106 1/2 x 121 1/2 in (270.5 x 308.6 cm)
  • Robert Beck,
    Untitled (Dec. 29, 1993) (1999)
    DVD, DVD player, monitor, AV cart, receiver, speakers,
    cart: 44 x 24 x 18 in (111.8 x 61 x 45.7 cm),
    monitor: 18 x 19 x 14 in (45.7 x 48.3 x 35.6 cm),
    Edition 2 of 3
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Robert Beck
dust (Community Times, June 20, 1965) (1998/2006)
mixed media
installation dimensions variable

  • Robert Beck,
    ‘ccused of K (The New York Times, Nov 30, 2002) (2003)
    oil pastel crayon on paper,
    103 x 83 1/2 x 3 1/2 in (261.6 x 212.1 x 8.9 cm)
  • Robert Beck,
    Bars and Stars (“The Daily Mirror”, May 1, 2004) (2006)
    silkscreen on six off-set printing blankets and anodised aluminum stars,
    Each: 37 3/4 in (95.9 cm) wide x varying lengths
  • Robert Beck,
    01/25/04 – Shots No. 12, 13, 14 (Daly Over/Under at Close Range with .12 Guage “Punkin’ Ball” Slug) (2004)
    wound filler, plastic, metal, and paper in three parts,
    20 x 14 x 14 in (50.8 x 35.6 x 35.6 cm)
  • Robert Beck,
    Artwork by Kip Kinkel For His Parents, Bill, and Faith (2004)
    wood plinths, silicone, and wound filler,
    19 3/4 x 6 1/2 x 3 1/2 in (50.2 x 171.4 x 8.9 cm),
    Edition 1 of 3
  • Robert Beck,
    Thirteen Shooters (2001)
    13 inkjet pigment prints,
    installation dimensions variable,
    David Creshaw: 81 1/4 x 45 in (206.4 x 114.3 cm),
    Reuters: 74 3/8 x 45 in (188.9 x 114.3 cm),
    Rogelio Solis: 72 3/8 x 45 in (183.8 x 114.3 cm),
    Sommers-Sipa: 72 x 45 in (182.9 x 114.3 cm),
    Brian Maass: 65 3/8 x 45 in (166.1 x 114.3 cm),
    Corbis Sygma: 65 3/8 x 45 in (166.1 x 114.3 cm),
    San Diego Union: 61 3/4 x 45 in (156.8 x 114.3 cm),
    Lafayette County: 59 7/8 x 45 in (152.1 x 114.3 cm),
    Elaine Thompson: 57 3/8 x 45 in (145.7 x 114.3 cm),
    Bishops Photography: 53 7/8 x 45 in (136.8 x 114.3 cm),
    Courtesy of the…: 53 7/8 x 45 in (136.8 x 114.3 cm),
    Heirloom Fine: 53 7/8 x 45 in (136.8 x 114.3 cm),
    Rose Palmisano: 53 5/8 x 45 in (136.2 x 114.3 cm)

  • Robert Beck,
    Screen Memory (Father’s Room) (2004)
    silver gelatin print,
    55 3/4 x 80 1/4 in (141.6 x 203.8 cm),
    Edition 2 of 3
  • Robert Beck,
    Screen Memory (Family Room) (2004)
    silver gelatin print,
    79 1/2 x 56 in (201.9 x 142.2 x 8.3 cm),
    Edition 2 of 5
  • Robert Beck,
    Screen Memory (Brother’s Room) (2004)
    silver gelatin print,
    74 x 55 3/4 in (188 x 141.6 cm),
    Edition 2 of 5
  • Robert Beck,
    Wall Ceiling (“Bless This House…”) (2004)
    mixed media,
    126 x 48 x 80 in (320 x 121.9 x 203.2 cm)
  • Robert Beck,
    Screen Memory (Sister’s Room) (2004)
    silver gelatin print,
    55 3/4 x 69 in (141.6 x 175.3 cm),
    Edition 2 of 5
  • Robert Beck,
    Screen Memory (Mother’s Room) (2003)
    silver gelatin print,
    88 1/2 x 56 in (225.8 x 142.2 cm),
    Edition 2 of 5

  • Robert Beck,
    Wall Hung Urinal Screen (“Big Red”) (2003)
    steel, particle board, laminated plastic, ink, and graphite,
    41 1/2 x 24 x 1 in (105.4 x 61 x 2.5)
  • Robert Beck,
    “Hidden Pictures” (At Rest) (2004)
    graphite on paper,
    47 1/2 x 111 x 2 1/2 in ( 120.7 x 281.9 x 6.3 cm)
  • Robert Beck,
    How Am I to Sign Myself (2008)
    lithography, digital and stamp printing on CRG letterhead in 24 parts,
    each: 11 x 8 1/2 in (27.9 x 21.6 cm),
    Edition 1 of 2
  • Robert Beck,
    “Glove Skinning” (Bruised) (“The Modern Man’s Guidre to Life” by Denise Boyles, Alan Rose, and Alan Wellikoff) (2003)
    charcoal and thread on paper,
    43 1/2 x 64 in (110.5 x 162.6 cm)
  • Robert Beck,
    The Remnants (1999)
    archival laser print and thread,
    13 1/8 x 7 in (33.3 x 17.8 cm)
  • Robert Beck,
    6/20/02 – Shot No. 12 (Daly Over/Under @ Close Range with .12 “Punkin’ Ball”) (2002)
    gunpowder and drawing pad,
    39 1/4 x 27 1/4 x 2 5/8 in (99.7 x 69.2 x 6.7 cm)
Robert Beck
The Flowers of Upheaval (Apart from the Whole) (2006)
10 chromogenic prints, satin, mat board, wood, plexiglass
53 1/4 x 68 5/8 in (135.3 x 174.3 cm)
Edition 5 of 6 
Robert Beck 
Feign of Association ("Animals That Hide, Imitate and Bluff " by Lilo Hess) (2008)
crystal pigment print and synthetic polymer ink on canvas
each panel: 81 x 54 1/2 in (205.7 x 138.4 cm)
Edition 1 of 4
Robert Beck
The Memorial Screening (1974) (2000)
DVD, AV cart, fabric, clips, chairs, DVD player, receiver, speakers
installation dimensions variable
Edition 3 of 3