Spring 2019: Collected Works Andrew Grassie Warehouse at 8828 (2007) tempera on paper on board, 10 1/8 x 13 1/8 x 1 7/16 in (25.7 x 33.3 x 3.7 cm)Warehouse Entrance at 8828 (2008) tempera on paper on board, 10 1/8 x 13 1/8 x 1 7/16 in (25.7 x 33.3 x 3.7 cm) Apartment 1650 (2007) tempera on paper on board, 10 1/8 x 13 1/8 x 1 7/16 in (25.7 x 33.3 x 3.7 cm) Apartment 1650, 2 (2010) tempera on paper on board, 10 1/8 x 13 1/8 x 1 7/16 in (25.7 x 33.3 x 3.7 cm) Louise Lawler Geneva Bear (1994-95) gelatin silver print, 24 1/2 x 26 1/2 x 1 5/16 in (62.2 x 67.3 x 3.3 cm)Fake or Contemporary (Center)—working title (2008/2010) gelatin silver print, 15 9/16 x 13 11/16 x 1 1/4 in (39.5 x 34.8 x 3.2 cm)Orchid (2008/2010) gelatin silver print, 22 3/4 x 24 11/16 x 1 1/2 in (57.8 x 62.7 x 3.8 cm)Arranged by Barbara and Eugene Schwartz (Desk Lamp by Ernesto Gismondi) (1982) gelatin silver print, 22 1/8 x 20 1/2 x 1 1/2 in (56.2 x 52.1 x 3.8 cm)Heinz (1991) silver dye bleach print, 24 1/8 x 20 5/8 x 1 7/8 in (61.3 x 52.4 x 4.8 cm)Pollock and Tureen (traced) (1984/2013) match print on vinyl adhesive, dimensions variable Catherine Opie 700 Nimes Road (2010-2011) 50 archival pigment prints, printed on Canson platine paper 310 gsm, two letterpress inserts, silk lined linen box with embossed text, each: 24 7/8 x 30 3/8 x 1 3/4 in (63.2 x 77.2 x 4.5 cm) William E. Jones Villa Iolas (1982/2017) 22 hand-coated inket prints each: 19 7/8 x 25 1/4 x 1 1/2 in (50.5 x 64.1 x 3.8 cm) Fall into Ruin (2017) high definition video, sound, 30 min